At the Edge: Curious Creatures of Planet Earth by David Elliott, illustrated by Robin Clover (Candlewick, 40 pages, grade K-3). Fourteen unique animals from around the world are celebrated, each with a poem and a cut paper illustration of the animal in its habitat. There are insects, mammals, reptiles, amphibians, fish, and birds. The black rain frog’s poem is just two words (“Bumpy. Grumpy.”), and most of the other poems are under a dozen lines. The final two pages have notes about the animals, with a short paragraph of information about each one.
This would be a great introduction to poetry for young readers, with interesting, colorful illustrations of a host of unique creatures along with short, easy-to-read information. I do kind of wish the information appeared on each page instead of at the end to make it easier to learn more about these fascinating animals. This is part of a poetry series by Elliott called Paws, Fins, Feathers, Claws that looks like it would be an excellent addition to an elementary poetry collection.
Fourteen Ways of Looking at Jellyfish by Carole Boston Weatherford, illustrated by Bagram Ibatoulline (Candlewick, 32 pages, grades 1-5). How to consider jellyfish? They can be seen in the water by a child on a dock, listed by their unusual common names like fried-egg or flower hat, or looked at from the perspective of the hundreds of millions of years they have lived on earth, predating dinosaurs by millions of years. Each way of looking is described with a different type of poem and shown with a variety of illustration styles, like a page from a scientist’s notebook, or a cartoon showing the emergency of a box jellyfish’s sting, or a dreamy underwater landscape. The back matter includes a bibliography and a list of websites to dive deeper into jellyfish research.
This gorgeous poetic meditation on jellyfish is sure to be considered for awards, whether it’s Sibert for the information or Caldecott for the illustrations. It seems to have been inspired by Wallace Stevens’s “Thirteen Ways of Looking at a Blackbird,” but I couldn’t find that cited anywhere in the book.




















