A trio of musical picture books

The Boy Who Said Wow by Todd Boss, illustrated by Rashin Kheiriyeh (Beach Lane Books, 40 pages, ages 4-8). Ronan is a boy who rarely speaks, and when Grandfather proposes a trip to the symphony, his parents are a bit skeptical. But Grandfather persists, and the two of them drive to the concert hall and find their seats. The lights go down, the music begins, and Ronan is swept away. In the moment of silence when the music ends, Ronan opens his mouth, and utters a loud, “Wow!” The audience laughs and claps, both for the orchestra and for Ronan. An author’s note shares that the story is based on an actual event that happened at Boston’s Symphony Hall in 2019. The illustrations look more like the 1950’s than 2019, but it’s a fun and interesting story with a sympathetic nonverbal main character.

Nothing: John Cage and 4′ 33″ by Nicholas Day, illustrated by Chris Raschka (Neal Porter Books, 40 pages, grades 1-5). The story opens with a 1952 performance at the Maverick Concert Hall in Woodstock, NY, where a pianist named David Tudor sits down at a piano and proceeds to do nothing for just over four and a half minutes. The word “nothing” is repeated a few times as the audience sits and wonders what is happening. The narrative then goes back 40 years to the birth of John Cage, a boy with unusually large ears and a penchant for inventing. Of all his radical compositions, his 4′ 33″ may be both the most unusual and the best-known. He wanted people to listen in the absence of sound to create their own music from what they heard around them. There’s an extensive author’s note, along with photos and a bibliography at the end.

The idea of this silent piece is fascinating and thought-provoking, stretching the boundaries of what can be considered music, and the subject is brought to life by Chris Raschka’s illustrations. The back matter seems more geared for older readers, and the concepts introduced may be a bit over the heads of the intended audience. Also, John Cage’s ears are described in a way that makes them sound freakishly large, but when I saw photos of him that seemed like an unnecessary exaggeration.

Piper Chen Sings by Philippa Soo and Maris Pasquale Doran, illustrated by Qin Leng (Random House Studio, 40 pages, ages 4-8). Piper loves to sing whenever she can, whether it’s joining the birds outside her bedroom window or performing for her stuffed animals. At school, she loves chorus, and when the teacher asks her to sing a solo in the spring concert, Piper offers an unequivocal “Yes!” But when it comes time to practice the solo, Piper gets stage fright and can’t do it. At home, she’s sad, no longer singing, until her grandmother Nai Nai has a talk with her, explaining that scary experiences can produce butterflies in the stomach, but so can exciting ones. Nai Nai is a pianist, and she tells Piper that the butterflies before a recital always settled once she started to play. Piper decides she will do the solo, and on the night of the concert, she welcomes the butterflies and feels them settle as she starts to sing. A lovely story by the Grammy-winning Hamilton actress that will show kids the importance of recognizing that fear and excitement often feel the same.

The art of science and the science of art

The Observologist by Giselle Clarkson (Gecko Press, 120 pages; grades 3-7). Giselle Clarkson defines observology as the study of looking and encourages kids to become observologists, closely examining the world around them. Following the introductory chapter, there are four sections, each focusing on a specific place to observe: a damp corner, pavement, a weedy patch, and behind the curtains. Each of these has several subsections that look at topics as diverse as how to relocate a spider, droppings and eggs, and things to spot at night.

Kids are encouraged to draw what they see, and the whole book has the look of a naturalist’s notebook, with lots of sketches and labels. The text and illustrations are both humorous and informative. It may take a dedicated naturalist to read this book from cover to cover, but it’s an easy one to browse. I could also see it being used as a textbook for a fun and fascinating observology class. The book concludes with a very complete index, in a font so small that this observologist was compelled to break out her magnifying glass to read it.

This Book Will Make You an Artist by Ruth Millington, illustrated by Ellen Surrey (Nosy Crow, 64 pages, grades 2-5). The title’s bold claim is supported by profiles of 25 different artists, with step-by-step instructions to make art projects based on each person’s work. It’s a diverse group of artists, starting with cave painters, and continuing through time to include famous artists like Leonardo da Vinci, Pablo Picasso, and Frida Kahlo, and those who may not be as well-known, such as Judith Scott, Liu Bolin, and Esther Mahlangu. There’s plenty of diversity in the art as well, allowing kids to create paintings, mosaics, collages, sculptures, and more. The introduction shows readers how to set up their own art studio, and the glossary will help with unfamiliar words that they may encounter throughout the book.

Just like The Observologist, this is a book that’s unlikely to be read from start to finish but could be used to teach a pretty awesome class combining art history and hands-on art. The projects all look like fun and are broken down into 4-6 easy-to-follow steps with illustrations. The pages felt kind of crowded, with information and illustrations about the artist taking up about 2/3 of each spread, and the directions crammed into the remaining portion of one page. The plus side of this is that each spread is chock full of information, ideas, and inspiration, and readers are likely to come away with some artwork they will feel proud of.

Two artists from Harlem

Jimmy’s Rhythm and Blues: The Extraordinary Life of James Baldwin by Michelle Meadows, illustrated by Jamiel Law (HarperCollins, 48 pages). Growing up in Depression-era Harlem, the oldest of nine children, James “Jimmy” Baldwin had plenty to do to help support the family. But he always loved words and found time to read everything he could get his hands on. His love of writing and art eventually led him to Paris, where he published his first novel, Go Tell It on the Mountain. Jimmy divided his time between France and the U.S., working for civil rights and interviewing Southerners for his essay collection The Fire Next Time. In 1971, devastated by the assassinations of Malcolm X, Medgar Evers, and Dr. Martin Luther King, Jr., he moved to an idyllic village in the south of France, creating a home that became a gathering place for friends and family from around the world. Includes an author’s note, James Baldwin’s oeuvre, a timeline, and photos on the endpapers.

This is a captivating biography of James Baldwin, with striking art by debut illustrator Jamiel Law. I’m ashamed to admit that I’ve never read anything by James Baldwin, but this book piqued my curiosity about his novels and essays. I do find it difficult to figure out the niche for picture books like this. Many reviewers recommend it for ages 4-8, but in my opinion, there’s not much here that would hold the interest of that age group. I would almost save it for middle school or high school, where it could serve as an introduction to Baldwin’s writing.

Everywhere Beauty Is Harlem: The Vision of Photographer Roy DeCarava by Gary Golio, illustrated by E. B. Lewis (Calkins Creek, 48 pages, grades 2-5). The narrative follows photographer Roy DeCarava as he wanders through Harlem after work on a summer evening, taking pictures as he goes. Most of his subjects are people, although one is a close-up of a crumpled soda can. The narrative, interspersed with quotes from Roy, is like a snapshot from his life. Readers will learn more about him through the additional information, photos, and timeline at the end, with resources provided to do more research.

The text and illustrations feel impressionistic, with just enough of a story to whet readers’ appetites. It would make a great introduction to photography, encouraging kids to look around their own neighborhoods for interesting subjects. Although there’s a list of museums featuring Roy’s photographs, it would have been nice to include a few in the book.

On the Line: My Story of Becoming the First African American Rockette by Jennifer Jones and Lissette Norman, illustrated by Robert Paul Jr.

Published by HarperCollins

Summary: Jennifer Jones fell in love with dance in her first class at age nine. Dance was a way to express herself when she felt shy, which was often. With a white mother and a Black father, Jennifer felt conspicuous and out of place in her New Jersey hometown. When a supermarket clerk made racist remarks and told her that “girls like you don’t become dancers,” Jennifer’s mom set up a dance studio in their basement. Seeing The Wiz on Broadway showed her that people like her could be dancers, and Jennifer auditioned for the Rockettes at age 19. As there had never been a Black Rockette since the group’s start in 1925, she was up against tough odds, but in 1987, Jennifer became the first African American Rockette. She ends the book by acknowledging her family’s support of her dreams and encouraging readers to figure out what they love to do and pursue it. Includes additional information about Jennifer Jones and the Rockettes. 40 pages; grades K-4.

Pros: An inspiring story of a woman whose passion led her to break down barriers and open doors for others. The conversational tone of the story makes Jennifer feel like an old friend, encouraging kids to follow their dreams as she did hers.

Cons: A few photos would have made a nice addition.

I’m Gonna Paint! Ralph Fasanella, Artist of the People by Anne Broyles, illustrated by Victoria Tentler-Krylov

Published by Holiday House

Summary:  Ralph Fasanella’s early life didn’t seem particularly auspicious for becoming a renowned artist.  The son of Italian immigrants, Ralph grew up in a tenement with five siblings and was in and out of a Catholic reform school from the age of ten.  He left school as a teenager and took a series of jobs before becoming a trade union organizer.  When he started having pain in his hands, a friend recommended drawing, and Ralph created his first art at the age of 31.  Recalling his mother’s labor activism, as well as his own union experiences, Ralph focused on working people and political messages in his paintings.  Family members supported him so he could quit working and paint full time.  His works hang today in the Smithsonian, Ellis Island, and other museums around the world, as well as in union halls and subway stations.  “I didn’t paint my paintings to hang in some rich guy’s living room,” Ralph said.  “My paintings are about people, and they should be seen by people, not hidden away.”  Includes additional information with photos and reproductions of some of Ralph’s paintings; a timeline of his life with relevant events from American history; a list of some of his paintings; and additional resources.  48 pages; grades 1-5.

Pros:  A fascinating, well-written introduction to the life of an artist who captured many important moments from American history, with illustrations that perfectly reflect Ralph’s style.  This would pair nicely with Cynthia Levinson’s The People’s Painter, about Ralph’s contemporary Ben Shahn.

Cons:  Although several museums were mentioned, I wish there had been a list of places to see Ralph Fasanella’s works.

Tomfoolery!: Randolph Caldecott and the Rambunctious Coming-of-Age Children’s Books by Michelle Markel, illustrated by Barbara McClintock

Published by Chronicle Books

Summary:  In this follow-up to Balderdash! John Newbery and the Birth of Children’s Books, Michelle Markel looks at the man who was the namesake for another famous children’s literature award.  Despite a weak heart, Randolph Caldecott loved being outdoors, hanging out with animals, and capturing what he saw on paper.  His father sought to quash his love of art with a career as a banker, but Randolph kept drawing.  When offered a chance to illustrate children’s books, he went against the prevailing fashion of stilted decorations and created art with plenty of action and animals.  Kids and adults loved his work, and Randolph became an international success, his work continuing to influence illustrators 150 years later.  Includes a list of the Caldecott reproductions included in the illustrations; a list of annotations; a picture of the Caldecott medal; additional information about illustrated Victorian periodicals and the big three toy book illustrators (Caldecott, Walter Crane, and Kate Greenaway); and a list of books by Randolph Caldecott.  44 pages; grades K-3.

Pros:  This exuberant book brings Randolph Caldecott to life with beautiful illustrations inspired by his art.  It seems only fitting for this to be considered for a Caldecott medal or honor.

Cons:  There’s a great illustration of several Caldecott medalists reading their own books; I wasn’t able to identify all of them, and I wish the back matter had included a list.

On the Tip of a Wave: How Ai Weiwei’s Art Is Changing the Tide by Joanna Ho, illustrated by Catia Chien

Published by Orchard Books

Summary:  Chinese artist Ai Weiwei spent his childhood in a labor camp after his father, a renowned poet, was targeted by the government.  They lived in an underground hole, where Ai would create sculptures from the dirt.  He grew up to be an artist, studying in the US before returning to China where he was imprisoned for criticizing the government.  After his release, he moved to Germany where he uses his art to bring attention to the plight of refugees, people displaced from their homes the same way he was.  One of his most famous works was created from lifejackets left behind by refugees landing in Greece.  Ai’s art “challenged the world to see differently…[and] invited the world to take action.”  Includes four pages of additional information and photos.  48 pages; grades 3-8.

Pros:  A beautiful and moving tribute to Ai Weiwei’s work with illustrations in shades of blue and orange that incorporate photos of refugees and his art into the pictures.

Cons:  I think this would be a very difficult book for kids to understand without having a considerable amount of background knowledge.  I was pretty confused by the story until I read the information at the end. 

The Artivist by Nikkolas Smith

Published by Kokila

Summary:  Nikkolas Smith draws on his experiences as an artist and an activist to create a narrator who calls himself an artivist.  Observing the world around him, the boy says, “I want to hold up a mirror to the world and show everyone what isn’t working right.”  His murals and signs draw attention to issues like homelessness, gun violence, environmental concerns, racism, and trans rights.  He invites others to join him, saying that artivists can also sing, write, build, or film.  “The Artivist is you.  What change will you create?”  40 pages; all ages.  Includes a brief note about Smith’s own Artivist journey.

Pros:  The age recommendation I saw in other reviews was 4-8, but as I read this book, I envisioned it being used by older elementary and middle school kids as a jumping-off point for thinking about the issues they care about and creating art to express that.  In a world that seems more uncertain than ever, this book gives an empowering message to kids about using creativity to make change.

Cons:  Nikkolas Smith refers to an illustration he made that went viral.  I think it’s his portrait of George Floyd, but I wish there had been more information about it.

Two books about Sister Rosetta Tharpe

Little Rosetta and the Talking Guitar: The Musical Story of Sister Rosetta Tharpe, the Woman Who Invented Rock and Roll by Charnelle Pinkney Barlow

Published by Doubleday Books for Young Readers

Rock, Rosetta, Rock! Roll, Rosetta, Roll! Presenting Sister Rosetta Tharpe, the Godmother of Rock and Roll by Tonya Bolden, illustrated by R. Gregory Christie

Published by HarperCollins

Summary: Two picture books celebrate the life of Sister Rosetta Tharpe, an early pioneer of the music that would become known as rock and roll. Little Rosetta and the Talking Guitar focuses on Rosetta’s childhood in Cotton Plant, Arkansas. When her musical mother gives her a guitar, Rosetta plays it night and day, incorporating the sounds she hears in her community to create a song that she performs at her church’s anniversary. The last few pages tell about Sister Rosetta’s career as an adult, and there’s an author’s note with a photo and additional information.

Rock, Rosetta, Rock! Roll, Rosetta, Roll! is a celebration of Sister Rosetta’s entire life, told in a rhythmic second-person narrative (“With music in your air, in your hair, in your bones, wiggling your toes–that travelin’ bag sure stayed packed.”). The celebration is all about her music, which was some of the earliest rock and roll. The book ends with a two-page timeline and an author’s note, citing her influence on such musicians as Elvis Presley, Chuck Berry, Little Richard, Johnny Cash, and Aretha Franklin. Both books are 40 pages; ages 4-8.

Pros: I knew nothing about Sister Rosetta Tharpe, so I very much enjoyed these high-energy celebrations of her life, each with their own distinctive illustrations. Take a look at this YouTube video to hear how ahead of its time her music was. These books will bring her some much-deserved recognition.

Cons: There’s not a lot of biographical information in the stories and no additional resources listed, although Rock, Rosetta, Rock! does have a list of sources.

A Tulip in Winter: A Story About Folk Artist Maud Lewis by Kathy Stinson, illustrated by Lauren Soloy

Published by Greystone

Summary:  Maud Dowley was small and bent from a young age, a condition that her doctor could not explain.  Still, she had a happy childhood in Nova Scotia, exploring the world of color through her painting.  As an adult, though, life became tougher.  Her parents died, her brother moved away, and no one would hire Maud because of her physical condition.  Eventually she became the housekeeper, and later the wife, of local fish peddler Everett Lewis.  Although they were poor, they found ways to get Maud paint and she continued with her art, and the two drove around the countryside selling fish and Maud’s paintings.  Eventually, she became too disabled to paint, and Everett pushed her around in a wheelbarrow.  After her death, the little house they had lived in, and that Maud had decorated with paintings, was restored and placed in the Art Gallery of Nova Scotia. Includes additional information and notes from the author and illustrator. 44 pages; grades K-3.

Pros:  A fascinating story of a little-known artist who overcame physical disabilities and poverty to create beautiful works of art full of color and joy.  

Cons:  I wish there had been reproductions of some of Maud’s paintings included.