Published by Peachtree Publishers
Summary: Rapunzel lives in a tower, visited only by a witch who climbs up her long hair to visit, then steals some of Rapunzel’s golden locks to sell. When the witch leaves, she tells Rapunzel that if she tries to escape, the witch will put a terrible curse on her. “But was Rapunzel frightened? Oh no, not she!” She makes a ladder from her hair, and goes out to explore. Freedom is exhilarating, and she and a new (horse) friend make an escape plan. One day, the witch tries to climb out of the tower using Rapunzel’s hair; the girl quickly cuts her hair, and the witch falls to the ground. Rapunzel’s equine friend is waiting, and the two ride off in bandit costumes to become witch hunters. 32 pages; ages 4-8.
Pros: A quick and funny retelling of Rapunzel, casting the heroine as an independent girl with no sign of a prince in sight.
Cons: The style of art and the yellow and black palette aren’t really my cup of tea.
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Published by G. P. Putnam’s Sons
Summary: The prince is longing for a wife, but no woman is perfect enough for his mother’s approval. When a maiden happens by, the prince is hopeful, but Mom decides to test her with the old pebble under the mattress(es) trick. Naturally, the young woman tosses and turns all night, convincing the mother that she’s the one for her son. There’s a bit of a twist at the end, as it’s revealed that the prince stuck some pitchforks and stones in with the mattresses, but everyone lives happily ever after anyway. Includes a glossary of Spanish words used in the text and an illustrator’s note explaining how she was inspired by textile arts of indigenous people of Peru in creating her art. 32 pages; ages 4-8.
Pros: The catchy rhyming text and South American influences in both language and illustrations make this a perfect companion to the more traditional tale of the princess and the pea.
Cons: Kids will find it helpful to have some background knowledge of the original story before reading this one.
Published by G. P. Putnam’s Sons
Summary: What if Cinderella had a twin? It would make the work easier, as they could divide the chores. And each one could handle one of the evil stepsisters. Even going to the ball wouldn’t be so bad, as long as they were willing to divide the jewelry and share the coach. But the prince is a different matter. There’s only one Prince Charming. He has a great time dancing with both Cinderella and Tinderella until midnight, finds the glass slipper, and winds up at their home. Forced with a difficult decision, the twins bring back their fairy godmother, who magically creates a twin prince. Before long, there’s a double wedding, then Cinderella and her prince go on to rule the land, while Tinderella and her prince go on to win all the highest math awards. 32 pages; ages 4-8.
Pros: Schwartz’s infectious rhymes from her ninja fairy tales are back to entertain readers with an unusual and fun twist on the Cinderella story.
Cons: While the pictures are cute, I missed the Dan Santat illustrations from the previous tales.
Published by Disney Hyperion
Summary: A retelling of the classic fairy tale by master storyteller Cynthia Rylant. This version is geared toward a younger crowd, with simple language, a short amount of text on each page, and Disneyesque illustrations. The whole story is told by an omniscient narrator, with the only dialog being when the angry fairy puts a spell on the sleeping baby and when the final fairy comes along and makes a counter-spell that will undo the evil one after a century. Most of the story takes place at the celebration of the princess’s birth, attended by the various fairies. After all the spells have been cast, the tale moves along quickly to the fateful spinning wheel accident, the 100-year slumber of the kingdom, and the awakening by the prince. 40 pages; ages 4-8.
Pros: A simple, straightforward introduction to the story of Sleeping Beauty. The illustrations of fairies and royal family members will appeal to young readers, and the story will be easy for them to understand. I didn’t realize Cynthia Rylant has also done retellings of Cinderella and Beauty and the Beast.
Cons: An author’s note giving the history of this fairy tale would have been an interesting addition.
Published by Orchard Books
Summary: The familiar story of Jack begins as usual when he trades the family cow for some bean seeds that his irate mother tosses out the window. The huge stalk grows, but then the story veers off into a new and humorous direction. Jack’s mother is thrilled with the free food the beanstalk provides, and Jack finds himself eating bean soup, bean salad, and other bean dishes three times a day. When he receives a bean bag and a slice of bean cake on his birthday, he’s ready to take a hatchet to the stalk. But the old man who sold him the seeds reappears and encourages Jack to check out what’s at the top of the huge plant. Jack takes his advice and discovers a giant’s wife, who is cooking…you guessed it, beans. The giant feels the same way as Jack does about beans, and the two return to Jack’s home in search of French fries. They plant a vegetable garden, which proves to be influenced by the presence of the beanstalk, and grows a plethora of large vegetables. Everyone–humans and giants alike–is thrilled with the new diet, which of course includes extra-large fries. 40 pages; grades K-3.
Pros: Mark Teague has produced another winning takeoff on a fairy tale. Kids will love the funny story and illustrations, and teachers will enjoy comparing it to other versions of Jack and the Beanstalk.
Cons: There’s no golden egg-laying goose.
Published by Papercutz
Summary: The littlest mermaid longs to see the world above her ocean home, but she must wait until she’s 15. One by one her older sisters get to go explore, returning with stories of gorgeous sunsets and great floating icebergs. Finally, her big day arrives. Reaching the surface, she sees a ship and watches a handsome prince dance with a succession of beautiful women. A sudden storm sinks the ship, and the little mermaid rescues the prince, the slips away before he regains consciousness. More than anything, she wants to be human and to marry him. She makes a deal with a sea witch, trading in her tail for legs, even though she is in great pain with every step. In return, she gives up her voice. She gets her wish to meet the prince, and they become great friends. But, alas, he eventually falls in love with another woman, leading to the typical Hans Christian Andersen downer of an ending. 80 pages; grades 3-7.
Pros: A lyrical, haunting retelling in graphic novel form of one of Andersen’s most famous tales.
Cons: Disney fans may be dismayed by the ending.
Published by Little, Brown
Summary: Caldecott Medalist Jerry Pinkney takes on another classic folktale, emphasizing the bullying aspect of troll vs. goats. Each goat takes its turn trip-trapping over the bridge, until the biggest goat comes along. A pullout page gives extra emphasis to his confrontation with the troll. Pinkney explains in his author’s note that he didn’t like the traditional ending of this tale, so he has invented a new one. It doesn’t necessarily seem like a happy ending, but a careful reader will see some troll-goat cooperation going on in the endpapers. 40 pages; ages 4-8.
Pros: Pinkney continues his string of folktale successes. The language is perfect for a storytelling-style read-aloud, and the watercolor illustrations provide plenty of details to examine.
Cons: That is one scary-looking troll.