The Spy in the Museum: How Rose Valland Saved Art from the Nazis by Erin McGuire (Beach Lane Books, 40 pages, grades 2-5). Rose Valland loved art. As curator of Paris’s Jeu de Paume Museum, she appreciated all kinds of art: ancient, classical, or modern. Adolf Hitler hated modern art. When Nazis took over Rose’s museum, they fired all the staff except Rose, who was kept on as manager. As they started to steal the art, selling it to fund the war, Rose secretly listened to their conversations and made notes about where the art was going. The soldiers didn’t know she spoke German, but they still became suspicious of her, which put her in grave danger. Towards the end of the war, as the Nazis fled Paris, Rose worked with the French Resistance to stop their final train, loaded with valuable artworks, from leaving the country. For much of the rest of her life, she used her notes to help restore the stolen artworks from around the world. Includes additional information about Rose Valland and the art she worked to save, as well as a list of sources.

This inspiring story is supplemented with interesting and timely questions in the author’s note: why does protecting art matter, and why did the Nazis want to destroy it? The illustrations, many including famous artworks, add to the story and the conversation.

Song of a Blackbird by Maria van Lieshout (First Second, 256 pages, grades 8 and up). The narrative of this graphic novel alternates between 2011 and 1943 Amsterdam. In 2011, Annick is trying to find help for her Oma’s leukemia. When bone marrow tests reveal she was adopted, the two turn to a set of prints from her childhood, each signed by “Emma B.” to try to learn more about her past. Emma is the 1943 protagonist, an artist and student whose education is interrupted by the Nazi invasion of the Netherlands. She uses her talents to aid the Resistance, helping to create false documents and working to rescue children whose parents are being sent to concentration camps. A blackbird that represents art and creativity narrates, showing how his gifts help those in the darkest of circumstances. The two stories eventually meet, and the reader learns the fate of all the characters in a moving epilogue. Includes extensive back matter about the buildings pictured in Oma’s prints and the real-life people on whom Maria van Lieshout based her story.

I learned about this book when the National Book Award Longlist was announced a couple of weeks ago, and it absolutely blew me away. I truly can’t imagine creating this impeccably researched historical fiction, with its two riveting narratives, each one portrayed in its own color palette. Usually I’m rooting for a middle grade win over YA, but this is a compelling choice for sure. Although both books take place over 80 years ago, their stories speak to the timeless power of art and will surely inspire those fighting to create a brighter world.