My Seneca Village by Marilyn Nelson

Published by Namelos 

Summary:  From 1825 to 1857, Seneca Village in Manhattan was populated by newly-freed African American slaves and immigrants from Ireland and Germany.  The people were poor and life was hard, but there was also celebration, hard work, and hope for the future.  This collection of poems tells the story of those years through the people who lived there.  Each facing page introduces the poem and creates a picture of the person at the moment it is spoken.  Characters are referenced in others’ poems, or come back with their own several years later.  The second to last poem, “The Law of Eminent Domain” quotes the law that ordered the eviction of Seneca Village residents so their land could be used to create Central Park.  The author’s introduction gives the history of Seneca Village; she uses the last few pages to describe the different poetic forms in the book.  87 pages; grades 5 and up.

Pros:  These moving, beautifully crafted poems introduce a little-known chapter in American history.  Footnotes give additional historical context.  The final lines of the last poem bring the inhabitants of Seneca Village into the present:  “I am one who knows that time and we are mist/hiding Light’s ever-changing panorama,/where the future holds a President Obama.”

Cons:  The drab colors of the cover could make this less appealing for young readers to pick up and try.

Sail Away poems by Langston Hughes, art by Ashley Bryan

Published by Atheneum Books for Young Readers

Sail Away | Book by Langston Hughes, Ashley Bryan | Official Publisher Page  | Simon & Schuster

Summary: 15 of Langston Hughes’ poems, all having to do with the sea or water, are presented here, illuminated by award-winning illustrator Ashley Bryan, still going strong at age 92. The pictures are collages with swirls of bright color that perfectly capture the sea and the ships and people that travel on it.  40 pages; ages 5-10.

Pros:  I confess my knowledge of Langston Hughes is limited to “Harlem” (“What happens to a dream deferred?”).  I was surprised that he wrote so many beautiful poems about the ocean.  They’re accessible for young children, with language and imagery that could be appreciated by older ones.  Readers will love the brightly colored illustrations and may be inspired to try their hands at collage.

Cons:  There was no author’s note.  I would have loved to learn more about Hughes and how he came to write these poems.

Enormous Smallness: a story of E. E. Cummings by Matthew Burgess, illustrations by Kris Di Giacomo

Published by Enchanted Lion Books 

Summary: Starting with his somewhat enchanted childhood in Cambridge, Massachusetts (complete with happy family, summers on a New Hampshire farm, and a large tree house heated by a wood stove), this book recounts the life of Edward Estlin Cummings. Estlin was both a poet and an artist.  From an early age, he loved spending time drawing and playing with words, and he continued with both activities for his entire life.  This book emphasizes how he responded to life with his creativity, experimenting with words and poetic forms to express what he experienced as he moved from his home in Cambridge, to Harvard, to France, where he drove an ambulance during World War I, and to 4 Patchin Place in Greenwich Village, his home for much of his adult life.  End matter includes a chronology, several poems, and an author’s note.  Grades 2-5.

Pros:  This book captures the joy E. E. Cummings experienced through his creativity, both in the writing and the illustrations, in which Estlin is consistently portrayed with a smile on his face.  The poems are well-selected to appeal to young readers.

Cons:  Despite their brevity, the poems of E. E. Cummings could be a bit difficult for elementary readers.

Bigfoot is Missing! by J. Patrick Lewis and Kenn Nesbitt, illustrated by Minalima

Published by Chronicle Books 

Summary:  Each two-page spread features a creature from the files of cryptozoology (creatures rumored to exist, but never scientifically documented).  The actual animal isn’t shown in full, just a part or hint of it, with a report of a sighting in the form of a poem.  For instance, Bigfoot’s entry includes a milk carton with this verse: “Missing/Last seen: walking in the forest/Height and weight: much more than you/Gender: unknown/Hair: all over/Shoe size (Rumored): 92”.  The first page tells about cryptozoology, and the endpapers include a list of all the creatures in the book with a brief description of each.  Grades 2-6.

Pros:  This is one clever book, and the topic is sure to be popular with young readers, who will want to spend some time studying the illustrations.  A fun and easy introduction to poetry by two former children’s poet laureates.

Cons:  If you get this book out of the library (which you should), the creatures’ descriptions on the endpapers will most likely be partially covered by a taped-down book jacket.

Changes: A Child’s First Poetry Collection by Charlotte Zolotow, illustrated by Tiphanie Beeke

Published by Sourcebooks Jabberwocky

Summary: “This summer still hangs heavy and sweet with sunlight as it did last year./The autumn still comes showering cold and crimson as it did last year./The winter still stings clean and cold and white as it did last year./The spring still comes like a whisper in the dark night./It is only I who have changed.” After this introductory poem, the book moves through the circle of seasons, beginning with spring, with several poems in each section that describe a simple, observable moment of that season. Beautifully illustrated with soft, seasonal colors, every poem is written by children’s literature legend Charlotte Zolotow, whose hundredth birthday this book commemorates. Grades K-4.

Pros: These poems seem like throwbacks to an earlier time, in a good way. They are simple enough for a very young child to understand, yet beautiful in their imagery; “Little trees like pencil strokes/black and still/etched forever in my mind/on that snowy hill.” This would be a wonderful introduction to both readers and writers of poetry.

Cons: Readers raised on the likes of Shel Silverstein and Jack Prelutsky may need some guidance to appreciate this sort of poetry.

The Death of the Hat: A Brief History of Poetry in 50 Objects by Paul B. Janeczko, illustrated by Chris Raschka

Published by Candlewick

Summary:  Veteran poetry anthologist Paul B. Janeczko has collected 50 poems about objects from nine periods in history, starting with the early Middle Ages and going to the present.  There are familiar selections such as “My Shadow” by Robert Louis Stevenson and “The Red Wheelbarrow” by William Carlos Williams, as well as lesser-known writers like Chinese poet Bai Juyi and Vietnamese emperor Le Thanh Tong.  The introduction gives the reader a brief overview of the different historical periods.

Pros:  This reminded me of my college Norton anthologies, traveling through time with literature.  Except that I actually enjoyed reading this book.  Norton would also benefit greatly by adding Raschka’s illustrations.  Kids will be motivated to look for objects in their world that can serve as inspiration for their own poems.

Cons:  With the exception of Pablo Neruda, all the poets after the Renaissance are British or American.

The Maine Coon’s Haiku and Other Poems for Animal Lovers by Michael J. Rosen, illustrated by Lee Anthony White

Published by Candlewick

Summary:  There are twenty haiku in this collection, each one about a different type of cat.  The sections alternate between indoor cats and outdoor cats, with five in each of the four sections.  The last four pages give a brief description and history of each breed.

Pros:  A great introduction to haiku as well as a treat for all cat lovers.  Fun illustrations.

Cons:  An explanation of haiku will be necessary, as there is none in the book.

A Poem In Your Pocket by Margaret McNamara, illustrated by G. Brian Karas

Published by Schwartz & Wade

Summary:  When Elinor hears that poet Emily Crane is coming to their school, she decides to write the perfect poem.  Through the month of April, her class studies and writes all types of poems.  Try as she might, Elinor can’t get hers to be perfect.  When the big day comes to greet Emily Crane, Elinor is the only one in the class with an empty pocket.  One by one her classmates get on stage and share their poems.  When it’s Elinor’s turn, she tells Ms. Crane that she tried but couldn’t write the perfect poem.  “No poem is perfect,” the poet tells her.  “Tell me what you’ve been thinking about.”  Elinor closes her eyes, thinks of all the poetry she’s been studying, and creates a poem.

Pros:  This a great introduction to poetry, covering similes, metaphors, haiku, concrete poems, acrostics, and funny rhymes.  The kids are likeable and real.  We’ve all known kids (and adults) like Elinor, and she doesn’t come across as the snobby know-it-all that she could have.  On the last two pages, Elinor gives kids some facts about poetry and her teacher Mr. Tiffin shares some pointers for teachers.  Look for the other two books in this series (Mr. Tiffin’s Classroom) that teach about math and apples.

Cons:  All the pressure poor Elinor put on herself to perform.