Published by Atheneum Books for Young Readers

Summary:  A young girl introduces her new best friend, who is smart and she laughs at everything.  The two friends like to run around, quacking like ducks, then sit quietly under a tree.  Even though one loves strawberry ice cream and the other hates it, they are still friends.  When they’re drawing, she draws her friend and her friend draws her, and they make hearts around their pictures.  “She is my best friend I think.  I’ve never had a best friend so I’m not sure.”  As the two girls go their separate ways, each with a parent, the narrator reveals that they don’t know each other’s names, but they can find out tomorrow “because we are best friends.”  32 pages; ages 3-7.

Pros:  As she did in When’s My Birthday?, Julie Fogliano perfectly captures the voice of a very young child and explores what it’s like to instantly become friends with someone new.  Caldecott honoree Jillian Tamaki explores their friendship in green and peach illustrations surrounded by white space; she’s deserving of some Caldecott consideration once again for this book.

Cons:  I have a personal preference for illustrations using a wider palette of colors.

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Published by The Blue Sky Press

Summary:  Roy loves dirt: digging in it, lying in it, rolling around in it.  He likes to bury things in dirt.  He eats it, sniffs it, and listens to it.  Mud is even better than dirt; it’s like “dirt gravy”.  When Roy doesn’t have access to dirt, he digs rugs, blankets, and newspapers.  One thing Roy does not love is baths.  At night, after his torturous bath, he sleeps, dreaming about digging.  In the morning, he returns to his same old dirt, but for Roy, it’s like brand-new dirt every day.  40 pages; ages 2-7.

Pros:  A David Shannon book about a goofy dog who loves dirt?  I probably don’t need to say anything else here, this will undoubtedly be a hilarious favorite with anyone under the age of 8 who comes in contact with it.

Cons:  I love this one-star review on Amazon: “This book has no message or meaning.  It is absolutely pointless.”  Um, yeah.  It’s a book by David Shannon with a silly-looking dog on the cover.  Kids (and adults) don’t always need a message.

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Published by Owlkids

Summary:  The stuffed fox narrator lives an idyllic life with his girl, Emi.  On the day that Emi finds the first golden leaf on the gingko tree, a storm comes and washes the fox away.  Torn and battered, he eventually lands on a beach, where a man finds him and brings him home to his daughter, Kiko.  In the same way they repair broken china with gold, Kiko stitches up the fox with gold thread.  A golden gingko leaf that was with the fox provides the clue needed to get him home again.  After spending winter, spring, and summer with Kiko, the fox is taken on a boat trip with the girl and her father.  They follow the trail of gold gingko leaves in the water until they get to Emi’s house, where there is a happy reunion, a new friendship between the two girls, and maybe even a romance? (Pure speculation on my part, but Emi’s mom and Kiko’s dad both appear to be single).  Includes an author’s note with additional information on two Japanese ideas: kintsugi, in which broken china is mended with gold, encouraging reuse instead of throwing away; and wabi-sabi, finding beauty in things that are imperfect and incomplete.  32 pages; ages 4-8.

Pros:  Edward Tulane fans, rejoice!  This beautiful picture book is also about the miraculous journey of a stuffed animal, an adorable fox in this case.  The themes of kintsugi and wabi-sabi are also beautifully incorporated into the story, not only with the fox, but with a broken branch on the gingko tree and Kiko’s broken leg.  Lots to think about and discuss here. 

Cons:  Keep the Kleenexes handy.

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Published by West Margin Press

Summary:  Based on a true story, this tale is narrated by Odin, a Great Pyrenees dog charged with looking after the goats on a small California ranch.  When wildfires threaten the ranch, owner Roland and his daughter escape in their truck.  Odin’s sister goes with them, but Odin refuses to leave the goats.  He watches the house and barn burn, desperately seeking a safe refuge.  He finally notices some boulders, and leads the goats there, where they are eventually joined by a few fawns.  When Roland returns a few days later, he is stunned to see Odin and the goats, alive and well except for some burned whiskers and scorched paws.  Includes an author’s note about the actual event in October, 2017, with several photos of the dogs, goats, humans, and house before and after the fire.  36 pages; grades K-5.

Pros:  A story narrated by a dog featuring a based-on-a-true-story survival of a wildfire?  That’s almost too easy to book talk!  Readers of all ages will fall in love with Odin, and admire his devotion to duty in the face of danger.  They will enjoy poring over the author’s note and photos to learn more about the real people and animals.

Cons:  You might want to throw in some advice to kids about following directions in a fire, as not doing so doesn’t usually result in Odin’s happy outcome.

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Published by Schwartz and Wade

Summary:  When Zura’s teacher talks about the class’s upcoming Grandparents’ Day, the other kids are all abuzz about bringing their grandparents to school.  But Zura is quiet.  When she gets home, readers get to meet Nana Akua, Zura’s “favorite person in the whole universe”.  So why is Zura nervous about Nana Akua visiting her school?  When Nana Akua was a baby in Ghana, her parents tattooed marks on her face to show her tribal family and to represent beauty and confidence.  Zura has overheard Nana being called “scary” and seen people act nervous around her.  When Zura confides her concerns, her grandmother suggests they take Zura’s quilt to school.  Nana made the quilt, using the Adinkra symbols of her people in Ghana.  On Grandparents’ Day, Nana Akua sensibly addresses the issue of her facial markings right away, then offers to let the kids choose which Adinkra symbols they would like painted on their faces.  This proves to be such a hit that the other grandparents line up for face painting as well, and Zura and Nana Akua conclude the day with a big hug.  Includes a glossary, sources, and Adrinka symbols and their meanings on both sets of endpapers.  40 pages; ages 4-8.

Pros:  This warm and tender story celebrates differences and also acknowledges that sometimes those differences can be a little scary if you don’t understand them.  You get the feeling that Nana Akua has lived a full life and has the gift at putting anyone at ease.  The colorful illustrations, with lots of interesting prints and details, reminded me of Patricia Polacco.  

Cons:  My usual beef about interesting endpapers that get covered up by taped-down dust jackets on library books.

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